Wartime letters: DEAR MONA – LETTERS FROM A CONSCIENTIOUS OBJECTOR

£9.99

Letters from the 20-year-old working-class Geordie Len Jones, who became the Welsh artist Jonah Jones, to his Quaker mentor and would-be partner Mona Lovell, who influenced Len’s explorations of the arts and social equality.

15 in stock

Description

Jonah Jones, edited by Peter Jones – Seren, 2018

In Dear Mona the artist Jonah Jones records in his own words not just the story of his early life and his relationship with Mona Lovell, but also that of the Second World War, of being on the Home Front, on the European battlefield and in the nascent Israel.

These letters are a remarkable first-hand account of how Jonah Jones’ character evolved. Like a number of conscientious objectors, he eventually took a more active role in the fight against fascism by becoming a non-arms-bearing medic. In this role he was parachuted into northern Europe and took part in the Ardennes and German campaigns, and in the liberation of the Belsen concentration camp.

After the war he was posted to Palestine, where he observed the issues surrounding the establishment of Israel but was also able to hone his artistic skills for the benefit of his regiment. It was in Haifa that, much to Mona Lovell’s dismay, he met and married another woman – Judith Grossman – with whom he returned to Wales to set up as an artist, now known as Jonah Jones.

Dear Mona gives detailed insight into the evolution of his character, as he changed from gauche Len Jones to artist Jonah Jones. It also tells in intimate detail the story of the Home Front, of conscientious objection, of the European campaign following D Day and of the tensions in Palestine, which resonate still today. It is a remarkable, immediate account: personal and intimate, and yet also history played out before his – and our – eyes.

Seren have kindly transferred the remainder of their stocks of the book to Scene & Word.

432 pages. ISBN 978-1-78172-479-8. Cover illustration by Jonah Jones (1945). Price includes UK shipping.